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Synopsis
Tanimachi Mizuho has big dreams of living in Daikanyama and becoming a famous writer. In the middle of the winter, this strong-willed 26-year-old moves to Tokyo from the snowy countryside. Never doubting her ability, she keeps telling herself that if her desire to realize her dreams is strong enough, they will come true. What is waiting for her in Tokyo though, is something altogether different.
Morinaga Kenta is an up-and-coming variety program scenario writer. Kenta moved to Tokyo five years ago, and with luck on his side, he became well-known in no time. Kenta and Mizuho are from the same hometown, and were friends growing up, but their friendship never blossomed into anything else. “Hachiko,” as Kenta was known as when he was growing up, just goes with the flow and doesn’t really have any big aspirations for himself.
These two, who aren’t having much luck with work or with their love lives, suddenly run into each other one day in Tokyo in the middle of winter. Being 26 is a tough point in life because it’s too late to think of new dreams, but on the other hand, it’s too late to abandon old ones… This new kind of story about life in the “big city” was written by Yuko Aizawa, a drama script writer who has already won the hearts of many young women for her acclaimed script for the Fuji hit drama “The Power of Love (Koi no Chikara)”
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Synopsis
Based on the comic “Yamato Nadeshiko Shichihenge” (The Wallflower) by Tomoko Hayakawa. This is a love comedy about Kyohei, who is so good looking that it sometimes becomes a problem for him, and Sunako, a girl who looks and acts like she has just come out of a horror movie.
Kyohei is fired yet again from his part time job after screaming at the manager who tried to seduce him. He is broke and does not have enough money to pay rent. Just around this time, the landlord comes up with a proposition. She tells Kyohei and his housemates that if they manage to turn her niece Sunako into a “lady”, their rent will be waived. Kyohei and his housemates all agree to this, but the niece who appears before them is not at all the kind of person they were expecting to see…
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Synopsis
“Ewing’s sarcoma is different from cancers of the same kind. It occurs in the bones and flesh, and spreads through the blood. It is a malignant tumor common in children below 10, and in teenagers. It is rarer than cancer…”
Kitahara Kazunori was diagnosed with Ewing’s sarcoma in the fall of his second year in high school, and thereafter spent a year and 10 months battling the disease. Although he studied hard for the university examinations and was successfully admitted to his first choice, [the prestigious] Tokyo University, he only managed to visit it for a day before passing away.
After that, last January [i.e. 2005], Kazunori’s mother compiled the thoughts he had left behind and published it as a book, and it was adapted into this drama.
Even as Kazunori had to fight his serious illness, he received support from his friends, school teachers and family members, and had warm relations with many people. This drama illustrates the 1 year and 10 months young Kazunori persevered together with the people around him.
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Synopsis
With her husband rarely home because of work, Saitou Masako raises her kindergarten son by herself. With a strong sense of what’s right, she is never afraid to confront people who violate the rules of society. While her righteousness makes her a heroine among the kindergarteners, their mothers have learned to keep their distance from all the trouble Saitou brings with her. Mano Wakaba, a soft-spoken mother who had problems with her son turning violent at his previous school, soon moves into the neighborhood. Eager to get along with the other mothers at the kindergarten, Mano does her best to please, and pushes her son Takeru to do the same, even if it puts her at odds with Saitou. When Takeru gets burned by a smoker whose cigarette brushes his face, Mano is content to let it go, but Saitou steps in to confront the man, asking for an apology. When the man stubbornly refuses, a scuffle ensues and the man runs away. When the bystanders watching begin clapping their hands, Mano is left in awe. As circumstances push her and Saitou together, Mano must choose between bending over to please the other mothers or joining Saitou and facing alienation.
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Synopsis
After graduating from the Tokyo University School of Law, Takamiya Makoto (Matsushima Nanako) goes on to Harvard University where she earns an MBA. She later works at one of the “big three” networks in the United States as a news reporter. While covering a story on an international symposium in Paris, Makoto is scouted to work for JBC Television in Japan. The news producer at JBC wants to use Makoto to help raise low viewer ratings. He persuades her to work for him for an absurdly high salary, and also gives her the right to hire who she needs.
While Makoto is being brought in to be the savior of the News Department, one man gets transferred from the Variety Department. His name is Nagase Hiromi (Fukuyama Masaharu). Since joining JBC Television, all he has done is variety programs. Although Hiromi has done everything he possibly could to ensure his programs are a success, his boss just could not take anymore of Hiromi’s behavior which ranged from getting caught up in scandals with female television personalities, punching-out assistant directors, to taking kickbacks from production companies. His boss finally tells Hiromi to make a fresh start in the “hard nosed” News Department.
So now the News Department has Makoto who thinks high ratings are the meaning of life, and Hiromi who values the success of a program as just a tool for the full enjoyment of life. These two totally different personalities mix it up and somehow reach a mutual understanding, creating a delightful “light comedy” for adults.
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